AsteriaV. Gallery

01 / WITHIN THE FRAME

Learning
to look.

学会捕捉

阳光中的建筑与红衣行人Scroll to unfold

WITHIN THE FRAME
BEYOND THE IMAGE

REFLECTIONS · ASTERIA VICENTE

相里象外

Within the Frame, Beyond the Image

Notes on photography, memory, and the life I encounter.

A passing figure. A familiar street. I begin by giving the ordinary my attention.

一个经过的身影,一条熟悉的街道。从认真看见日常开始。

暗处建筑之间的一束光伸向光的站台
01 · From My Thoughts on Photography — Preface

Learning to look

My first camera was a Konica C35EF. Through its yellowed viewfinder, I began to discover colours that felt like my own. Photography started with curiosity: the purity and movement of colour, the playfulness and drama of light.

I spent afternoons visiting a small film lab tucked into an alley. Then came the waiting — wondering what the photographs would look like, checking for the email that would finally reveal them. The anticipation was part of the pleasure.

Later, with a Nikon D600, I began learning about exposure and colour. I went on my first street photography walk, shared my photographs, and found people with whom I could talk about what I loved.

Later, I moved to a Nikon Z6 II. The new camera brought a step forward in image quality and helped me devote more of my attention to making photographs. At the same time, I came to understand equipment as a tool that supports creation. It helps me preserve what is before me; how I look, and what makes me pause, still come from my own experience.

With the Hasselblad X1D II 50C, I began to approach photography with a deeper sense of devotion. I looked forward to each outing and became more willing to spend time waiting for light and colour to unfold before me. My understanding of colour grew with that patience. I wanted to preserve its subtle variations, together with the stillness, tenderness, and feeling of being there.

Photography is, for me, a way of feeling and remembering.摄影一事,名为摄影,实为感悟与纪念。
02 · Returning to curiosity

Trusting my eyes

There was a time when I worried about repeating myself. I wanted each photograph to be impressive. A day without a satisfying image could feel like a day wasted.

Gradually, I began to return my attention to the world around me: to experiencing it, and to trusting my own intuition. I could photograph the things I loved, without asking every image to prove its worth.

I walk along a path I have taken countless times, happily waiting for sunlight to fall just right upon a familiar scene, or for a family to pass through it.我走上以前走过无数遍的小路,满心欢喜的等待某个熟悉的光景中,恰到好处的撒下阳光或者经过一家人。
A person with a white umbrella walking through sunlight beside green railings
Sunlight falling across a quiet cafe corner with trailing greenery
Pedestrians passing a pale building along a curved street

A familiar street can still invite curiosity. A small change in light, a passing person, or an ordinary object may be enough to make me stop and look again.

03 · From the streets of Macau

Along the way

At dusk on the Macau Peninsula, motorcycles rushed through narrow streets alongside cars. At first, the movement startled me. As I watched, I began to recognise the city's particular vitality: police directing traffic, pedestrians waiting, a sense of order within the crowd.

In another alley, warm yellow light fell over a girl in school uniform hurrying home. Behind her, a middle-aged man held his phone, talking comfortably with his family on a video call.

Two ways of returning home, in the same evening. As a visitor, I felt something of the city's warmth and reassurance through these ordinary moments.

A child passing through a warmly lit alley, with a man standing behind her
People waiting by neon-lit shops while a motorcycle passes
Passengers standing together beneath yellow hand straps
Memory flows through the shutter;
I press eternity.记忆流过快门,而我按下永恒。

There is still a long road ahead, and so much waiting to be seen.